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Lapis , thoughtful blue-black in color and opaque, this gem was extremely prized by the pharaohs of past Egypt, as can be seen by its salient use in many another of the treasures healed from ruler tombs.

W. B. Yeats' poem, Lapis Lazuli has for its themes the repeated get to your feet and crash down of civilizations, the at hand end of our civilization, and the succeed of art and attitude finished the catastrophe of actions.

The passage text focuses on recent modern times. Even worse than the at hand eradication are those hysterical women who renounce painting, auditory communication and poetry, all "gay" art, in show partiality towards of politics. These subject are named gay since they have the impetus of transfiguring adversity into tragical joy. The hysteric women are blear of the artist's happiness because they like bustle to contemplation, political relation to art.

In the second textual matter Yeats says that contradictory neurotic women who "break up their lives to weep", heroes like-minded Hamlet and Lear are "gay". They are gay because they have the concluding gurgle. The cataclysm that overtook them could press their bodies, but not the fundamental nature.

The 3rd text refers to the autumn of civilizations. "All material possession topple and are built again", and Yeats accepts the cycles of past near "tragic joy" declarative that "those that form them over again will be gay."

In the ordinal and 5th stanzas Yeats crystallizes the mental object of sad gaiety in the statue of the 3 Chinamen carved on a serving of lapis opaque gem. The cardinal old men are pictured as rising towards a littlest half-way home sweetened, Yeats supposes, by plum or blood-red stream. Then he imagines that sitting here they looking on the "Tragic scene" proliferate down them. And amid several wrinkles, their eyes

"Their ancient, glinting eyes, are gay"

The happiness is a product not lone of their ancient teachings which deeply comprehends the sad scene, but also of the "mournful melodies" vie on a with a beat instrument by the serving-man. The auditory communication enables the Chinamen to "transfigure" all the awful of the tragic scene. Art, no mammy how tragic, how mournful, transfigures all adversity with the insubordinate overpowering gaiety of the leader.

Heroes respond to sad world beside bold happiness and join death next to a wayward grinning. This is the prevailing theme of Lapis Lazuli.

Yeats' repercussion to the topsy-turvyness of the world is not one of horror, nor of stoic impassivity, nor even of a nostalgia for evade or transcendence, but of a large conversion of sad overcome into tragic joy.

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